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GRE写作备考2012:GRE作文范文大全(53)

发布时间:2012-01-17来源:查字典留学网

GRE写作备考2012:GRE作文范文大全(53)

GRE写作部分将重点考察考生有针对性地对具体考题做出反应的能力,而非要求考生堆砌泛泛的文字。具体说来,这些重点关注的能力包括:1、 清楚有效地阐明复杂观点;2、 用贴切的事理和事例支撑观点;3、考察/验证他人论点及其相关论证;4、支撑一个有针对性的连贯的讨论;5、控制标准书面英语的各个要素。写作部分将联合考察逻辑推理和分析写作两种技能,并且将加大力度引进那些需要考生做出有针对性的回应的考题,降低考生依赖事前准备(如背诵)的材料的可能性。

The critic's second function that of evaluator who filters out bad art from the worthwhile is

one that we must be very wary of. History supports this caution. In the role of judge, critics

have failed us repeatedly. Consider, for example, Voltaire's rejection of Shakespeare as

barbaric because he did not conform to neo-classical principles of unity. Or, consider the

complete dismissal of Beethoven's music by the esteemed critics of his 6me. The art critic's

judgment is limited by the narrow confines of old and established parameters for evaluation.

Moreover, critical judgment is often misguided by the ego; thus its value is questionable in any

event.

I turn finally to the critic's third function: to provide useful feedback to artists. The value of

this function is especiaUy suspect. Any artist, or anyone who has studied art, would agree that

true art is the product of the artist's authentic passion, a manifestation of the artist's unique

creative impulse, and a creation of the artist's spirit. If art were shaped by the concern for

integrating feedback from ali criticism, it would become a viable craft, but at the same time

would cease to be art.

In sum, none of the ostensible functions of the critic are of much value at all, let alone of

lasting value, to society. On the other hand, the artist, through works of art, provides an

invaluable and unique mirror of the culture of the time during which the work was produced a

mirror for the artist's contemporaries and for future generations to gaze into for insight and

appreciation of history. The art critic in a subordinate role, more often than not, does a

disservice to society by obscuring this mirror.

Issue 61

"People who are the most deeply committed to an idea or policy are the most critical of it."

The speaker claims that people who are the most fmnly committed to an idea or policy are

the same people who are most critical of that idea or policy. While I find this claim paradoxical

on its face, the paradox is explainable, and the explanation is well supported empirically.

Nevertheless, the claim is an unfair generalization in that it fails to account for other empirical

evidence serving to discredit it.

A threshold problem with the speaker's claim is that its internal logic is questionable. At first

impression it would seem that firm commitment to an idea or policy necessarily requires the

utmost confidence in it, and yet one cannot have a great deal of confidence in an idea or policy

if one recognizes its flaws, drawbacks, or other problems. Thus commitment and criticism

would seem to be mutually exclusive. But are they? One possible explanation for the paradox

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is that individuals most fmnly committed to an idea or policy are often the same people who

are most knowledgeable on the subject, and therefore are in the best position to understand

and appreciate the problems with the idea or policy. 感谢您阅读《GRE作文范文大全(53) 》一文,查字典出国留学网()编辑部希望本文能帮助到您。GRE写作部分将重点考察考生有针对性地对具体考题做出反应的能力,而非要求考生堆砌泛泛的文字。具体说来,这些重点关注的能力包括:1、 清楚有效地阐明复杂观点;2、 用贴切的事理和事例支撑观点;3、考察/验证他人论点及其相关论证;4、支撑一个有针对性的连贯的讨论;5、控制标准书面英语的各个要素。写作部分将联合考察逻辑推理和分析写作两种技能,并且将加大力度引进那些需要考生做出有针对性的回应的考题,降低考生依赖事前准备(如背诵)的材料的可能性。

Lending credence to this explanation for the paradoxical nature of the speaker's claim are

the many historical cases of uneasy marriages between commitment to and criticism of the

same idea or policy. For example, Edward Teller, the so-called "father of the atom bomb," was

firmly committed to America's policy of gaining military superiority over the Japanese and the

Germans; yet at the same time he attempted fervently to dissuade the U.S. military from

employing his technology for destruction, while becoming the most visible advocate for various

peaceful and productive applications of atomic energy. Another example is George

Washington, who was quoted as saying that all the world's denizens "should abhor war

wherever they may find it." Yet this was the same military general who played a key role in the

Revolutionary War between Britain and the States. A third example was Einstein, who while

committed to the mathematical soundness of his theories about relativity could not reconcile

them with the equally compelling quantum theory which emerged later in Einstein's life. In fact,

Einstein spent the last twenty years of his life criticizing his own theories and struggling to

determine how to reconcile them with newer theories.

In the face of historical examples supporting the speaker's claim are innumerable influential

individuals who were zealously committed to certain ideas and policies but who were not

critical of them, at least not outwardly. Could anyone honestly claim, for instance, that

Elizabeth Stanton and Susan B. Anthony, who in the late 19th Century paved the way for the

women's rights movement by way of their fervent advocacy, were at the same time highly

critical or suspicious of the notion that women deserve equal rights under the law? Also, would

it not be absurd to claim that Mahatma Gandhi and Martin Luther King, history's two leading

advocates of civil disobedience as a means to social reform, had serious doubts about the

ideals to which they were so demonstrably committed? Finally, consider the two ideologues

and revolutionaries Lenin and Mussolini. Is it even plausible that their demonstrated

commitment to their own Communist and Fascist policies, respectively, belied some deep

personal suspicion about the merits of these policies? To my knowledge no private writing of

any of these historical figures lends any support to the claim that these leaders were

particularly critical of their own ideas or policies.

To sum up, while at first glance a deep commitment to and incisive criticism of the same idea

or policy would seem mutually exclusive, it appears they are not. Thus the speaker's claim has

some merit. Nevertheless, for every historical case supporting the speaker's claim are many

others serving to refute it. In the final analysis, then, the correctness of the speaker's assertion

must be determined on a case-by-case basis.

Issue 62

"Tradition and modernization are incompatible. One must choose between them."

Must we choose between tradition and modernization, as the speaker contends.; I agree

that in certain cases the two are mutually exclusive. For the most part, however, modernization

does not reject tradition; in fact, in many cases the former can and does embrace the latter. 感谢您阅读《GRE作文范文大全(53) 》一文,查字典出国留学网()编辑部希望本文能帮助到您。GRE写作部分将重点考察考生有针对性地对具体考题做出反应的能力,而非要求考生堆砌泛泛的文字。具体说来,这些重点关注的能力包括:1、 清楚有效地阐明复杂观点;2、 用贴切的事理和事例支撑观点;3、考察/验证他人论点及其相关论证;4、支撑一个有针对性的连贯的讨论;5、控制标准书面英语的各个要素。写作部分将联合考察逻辑推理和分析写作两种技能,并且将加大力度引进那些需要考生做出有针对性的回应的考题,降低考生依赖事前准备(如背诵)的材料的可能性。

In the first place, oftentimes so-caUed "modernization" is actually an extension or new

69

iteration of tradition, or a variation on it. This is especially true in language and in law. The

modern English language, in spite of its many words that are unique to modern Western

culture, is derived from, and builds upon, a variety of linguistic traditions--and ultimately from

the ancient Greek and Latin languages. Were we to insist on rejecting traditional in favor of

purely modern language, we would have essentially nothing to say. Perhaps an even more

striking marriage of modernization and tradition is our system of laws in the U.S., which is

deeply rooted in English common-law principles of equity and justice. Our system requires that

new, so-called "modern" laws be consistent with, and in fact build upon, those principles.

In other areas modernization departs from tradition in some respects, while embracing it in

others. In the visual arts, for example, "modern" designs, forms, and elements are based on

certain timeless aesthetic ideals--such as symmetry, balance, and harmony. Modern art that

violates these principles might hold ephemeral appeal due to its novelty and brashness, but its

appeal lacks staying power. An even better example from the arts is modern rock-and-roll

music, which upon first listening might seem to bear no resemblance to classical music

traditions. Yet, both genres rely on the same twelve-note scale, the same notions of what

harmonies are pleasing to the ear, the same forms, the same rhythmic meters, and even many

of the same melodies.

I concede that, in certain instances, tradition must yield entirely to the utilitarian needs of

modern life. This is true especially when it comes to architectural traditions and the value of

historic and archeological artifacts. A building of great historic value might be located in the

only place available to a hospital desperately needing additional parking area. An old school

that is a prime example of a certain architectural style might be so structurally unsafe that the

only practicable way to remedy the problem would be to raze the building to make way for a

modern, structurally sound one. And when it comes to bridges whose structural integrity is

paramount to public safety, modernization often requires no less than replacement of the

bridge altogether. However, in other such cases architecturally appropriate retrofits can solve

structural problems without sacrificing history and tradition, and alternative locations for new

buildings and bridges can be found in order to preserve tradition associated with our historic

structures. Thus, even in architecture, tradition and modernization are not necessarily mutually

exclusive options. 感谢您阅读《GRE作文范文大全(53) 》一文,查字典出国留学网()编辑部希望本文能帮助到您。

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